“…Both concertos look very fresh overall, and lovers of Op. 64 will certainly enjoy this colorful and straightforward interpretation and transcription. The performances are in a classical style, which is positive. The chamber music concept really allows the two concertos to breathe freely, and this transparency does the well-known violin concerto in the flute version a lot of good. In the Four Songs without Words, Nadrzycki and Kaczka also harmonize perfectly as a duo.” ****
Alain Steffen – Pizzicato.lu – 29 August 2021